Oscar Crabb
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Oscar Crabb – BA/BFA
Curriculum Vitae
b.Surrey
Lives and works in LondonEducation
Fine Art Foundation, Kingston University. 2016 - 2017.
Press
Article in Earthrise Journal, 2020
Interview for Savage Journal, 2020
Interview for 5.18 Magazine, 2019Awards
Bloomberg New Contemporaries 2021 - shortlisted
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Oscar Crabb – BA/BFA
Price List
- Imitation Game/Biomimesis, 2021. Indigo on recycled calico. Iron, oak, madder, weld, sappan, fustic, safflower, lac on recycled linen. 160cm x 140cm. Please contact The Residence Gallery, London.
- The Way of the Birds (Observe), 2021. Handmade ferrous-tannate printing ink on fabriano rosaspina paper, embellished with raw linen thread. 37cm x 29cm. Please contact The Residence Gallery, London.
- The Way of the Butterflies (Bloom), 2021. Handmade ferrous-tannate printing ink on fabriano rosaspina paper, embellished with raw linen thread. 37cm x 29cm. Please contact The Residence Gallery, London.
- Fork in the Road/Follow the Mayflies, 2021. Indigo, iron, oak, weld, acacia, madder, fustic, osage on recycled linen. 170cm x 200cm. £1300.
- Rust, 2020. Eucalyptus, iron, oak, weld, acacia on recycled linen. Natural wool embellishment. 60cm x 85cm. £400.
- Germination, 2020. Sappan, iron, oak, weld, indigo, acacia on recycled linen. 60cm x 85cm. £400.
- Midnight Exchange/Pollination, 2021. Madder on recycled wool. Iron, oak, indigo, madder, fustic, weld on recycled linen. 180cm x 150cm. £1300.
- Seeded, 2021. Mix of Shetland, Alpaca, and Jacob yarns, hand knotted onto a handwoven linen backing. £1000
- Sundown Community/In the Roost, 2021. Weld, fustic, osage, madder, indigo, iron, logwood, pomegranate on recycled linen. 180cm x 160cm. £1200
Oscar Crabb – BA/BFA
I am a visual/education artist based in London, I work primarily in textile and printmaking. My practice takes a holistically sustainable approach using natural dyes and recycled linen and hemp fabrics to challenge issues of waste, not only within the arts but on a broader scale. My illustrative appliquéd textiles act as stepping stones across the pool of ecological critique, guiding the viewer to the ever-growing research library of academic texts presented alongside the works. My work straddles the discourse between historical ecology and current enviro-political science, using antique textiles and ancient dye techniques to create brightly coloured pieces, presented alongside current research, proposing radical sociological and scientific approaches to the climate crisis.