Katherine Smith
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Katherine Smith – MA/MFA
Curriculum Vitae
Artist MA Slade 2021. She/Her. Embodiment, Touch, Sound, Materials. Sensory Art in Hospital Play Teams, Communities.
Play as a Radical, Non-Hierarchical Space for Embodied Learning.
Education
Slade School of Fine Art, UCL, MA Fine Art (Sculpture), 2019-2021
University for the Creative Arts, Farnham, BA (hons) Fine Art, 2015-2019
University for the Creative Arts, Epsom, Foundation, 2014-2015
College of Law, LLB, 2008-2010University of Oxford, BA (hons) Modern Languages and Literature, 2003-2007
Awards
Prankerd Jones Memorial Prize, Slade School of Fine Art, 2020
Platform Graduate Award Exhibition, Aspex Gallery Portsmouth, October 2019
Experience
Selected Teaching / Art Facilitation
Upcoming, Summer 2021: Polka Theatre, Great Ormond St. Hospital, Hart School, South London Gallery
Great Ormond Street Hospital Play Team, Sensory Art sessions for children since July 2020 in school holidays
St. George’s Hospital Play Team, Sept-Dec 2020, online Sensory Art sessions for children and parents
Regent’s Park Time Bank, Summer 2020
October Gallery, February 2020
Paint Write Now, 2015 to 2020: I developed a sensory method of teaching creative writing through art to children. I ran weekly extracurricular clubs in community centres and schools. In July 2020 ‘Paint Write Now’ became ‘Sensory Art’.Teaching CPD
Makaton Levels 1 and 2, October-December 2020
“Play as Emotional Survival in Times of Crisis, Risk and Stress”, online conference hosted by Great Ormond Street Hospital, August 2020
Anti-Discriminatory / Equality Practice in Play, online conference including workshop sessions hosted by Meynell Games, September 2020
The Sensory Festival, Hirstwood Training, July 2020
Drama in the Primary Curriculum, David Farmer, July 2018
Develop Your Sensory Lexiconary, Joanna Grace, The Sensory Projects, June 2018
Creative Writing through the Arts, teach meet with Dr Paulette Luff, Anglia Ruskin University, May 2018
Katherine Smith – MA/MFA
The work is a playful investigation into how to connect to the body, using materials as interface. I am neurodivergent – I have ADHD – and my practice is the development of a sensory language to connect with myself and others. In relationship with materials, I slow down. I watch them closely: how they move, how they feel, how they sound. I treat them as another body to relate to. I choose materials out of desire; following desire is fundamental in play. They are usually everyday materials that are responsive to the body in terms of touch, sound, sensation: ducting / foam / tin cans. The work is often a result of finding a moment in which the material does something that surprises me. I then focus in on this and amplify it to show it to others. The work is about me though – my learning to connect through materials, my projections onto materials.