1. Previous Next
    Mermaid pudding
    Caption
    Mermaid pudding, Minyoung Kim, 2021, acrylic on unstretched canvas, 152 x 180 cm

    ©the artist

  2. Previous Next
    The willow tree
    Caption
    The willow tree, Minyoung Kim, 2021, acrylic on unstretched canvas, 180 x 270 cm

    ©the artist

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    The moonlight
    Caption
    The moonlight, Minyoung Kim, 2021, acrylic on unstretched canvas, 157 x 140 cm

    ©the artist

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    Who is your mum?
    Caption
    Who is your mum?, Minyoung Kim, 2021, acrylic on unstretched canvas, 60 x 53 cm

    ©the artist

  5. Previous Next
    Whirlpool of the emotion
    Caption
    Whirlpool of the emotion, Minyoung Kim, 2021, acrylic on unstretched canvas, 208 x 152 cm

    ©the artist

  6. Previous Next
    The moon in the ocean
    Caption
    The moon in the ocean, Minyoung Kim, 2021, acrylic on unstretched canvas, 176 x 180 cm

    ©the artist

  7. Previous Next
    The night gallery
    Caption
    The night gallery, Minyoung Kim, 2021, acrylic on unstretched canvas, 180 x 221 cm

    ©the artist

  8. Previous Next
    Song of the fire
    Caption
    Song of the fire, Minyoung Kim, 2021, acrylic on unstretched canvas, 65 x 53 cm

    ©the artist

  9. Previous Next
    Reflection
    Caption
    Reflection, Minyoung Kim, 2021, acrylic on unstretched canvas, 180 x 149 cm

    ©the artist

  10. Previous Next
    The moment of silence
    Caption
    The moment of silence, Minyoung Kim, 2021, acrylic on unstretched canvas, 43.5 x 35.5 cm

    ©the artist

  11. Minyoung Kim – MA/MFA

    Curriculum Vitae

    Education 

    2019 - 2021
    The Slade School of Fine Art 
    MFA 

    2012 - 2014
    Sungshin Women’s University, Seoul, South Korea 
    MFA Printmaking

    2008 - 2012
    Sungshin Women’s University, Seoul, South Korea 
    BA Western Painting

     

    Publications

    2021
    ArtMaze Magazine Issue 22 

    Awards

    2020 
    Max Werner Drawing Prize (nomination)

    Terence Cuneo Award 

    Experience

    Residency

    2018 Marymod House with Can Foundation, Seoul  

Minyoung Kim – MA/MFA

I paint on unstretched raw canvas without the priming process. Before these types of canvas works were created, I made numerous paper drawings and now I think the way I paint most naturally resembles my drawings. The texture of the finished work expresses a blurry or softer feeling, such as one drawn with oil pastels or conté.

As for the work image, my canvas contains memories, anxiety, regret, desire, dreams, and everything inside me that I may not be able to express myself directly. I sincerely project myself onto the canvas. Sometimes I become a weak mermaid, a human-harming cat, and a woman with a threatening knife. On the other hand, my work is not only creepy but also cute. This can be seen as a mixture of heterogeneity, which is a dissonance of grotesque characteristics. The ironic scenes that evoke laughter with bizarre, eerie, mysterious feelings reflect another inner state, and are two sides of psychological anxiety and conflict to resolve it. I postulate this ambivalence word in my painting as creepy-cute.