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    Abstract painting.
    Caption
    I remember them with my stomach, Meghan Salisbury, 2024, oil on canvas. 2 x 1.35 m

    ©the artist

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    Abstract painting.
    Caption
    Marsh mouth Marsh mouth Marsh mouth, Meghan Salisbury, 2024, oil on canvas, 2 x 2 m

    ©the artist

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    oil on canvas, 2 x 3 m
    Caption
    Dusk, Meghan Salisbury, 2024, oil on canvas, 2 x 3 m

    ©the artist

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    Abstract painting.
    Caption
    Growing reclining figures, Meghan Salisbury, 2024, oil on canvas, 2 x 2 m

    ©the artist

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    Studio wall with scraps paintings: fruit netting, cotton wool, sponges, scourer, chicken wire, newspaper, masking tape, paper packaging, hairband, can, string, tissue paper, white tack, adhesive plaster, towel, wooden fork.
    Caption
    Studio wall with 'scraps' paintings, Meghan Salisbury, 2024, Fruit netting, cotton wool, sponges, scourer, chicken wire, newspaper, masking tape, paper packaging, hairband, can, string, tissue paper, white tack, adhesive plaster, towel, wooden fork.

    ©the artist

Meghan Salisbury – BA/BFA

Through painting, I create a visual language for the processes and forms people are made up of, but often cannot see or feel.

Since my hands and eyes can’t reach my insides, I make works with ‘scraps’ as a tactile process to provide food for the making of my oil paintings. Usually overlooked, flimsy materials are shredded, dangled and jammed into and over each other.

In my oil paintings, sinewy, intestinal organisms, repetitive gestural lines, heavy black voids, and moments where a form reaches out of itself into space reoccur. As I paint, spongy and brittle forms in snotty green and muscular pink are born into interior landscapes. Simultaneously, they are pushed and consumed by the black chasms. The forms fizz, droop and drool.