Ecstatic Truth: Truth of Matter: process and perception in expanded animation practice - University of Westminster image, Dryden Goodwin, 2019
Free the Pussy! - Summerhall, Edinburgh
Posted
Hayley Newman and her band, The Gluts, are taking part in Summerhall, 1 Summerhall, Edinburgh EH9 1PL, 2 August 2018 - 23 September 2018. See festival18.summerhall.co.uk.
How do you feel? / The Financial Times series, Sophie Bouvier Ausländer, 2020, gouache on waxed newspaper, 66 x 53 cm
Private collection, New-York, US
A Foot, Johnny Izatt-Lowry, 2021, pencil on paper
©the artist
Brine Lake (A New Body), Shen Xin, 2020, film (still)
©the artist
Undercover 2 (detail), Phyllida Barlow, 2020, timber, plywood, cement, scrim, plaster, polyurethane foam, paint, PVA, calico, steel. Dimensions variable
© Phyllida Barlow Courtesy the artist and Mori Art Museum, Tokyo Photo: Furukawa Yuya
Stephenie Bergman - The Studio, Taroudant, Morocco - Folkestone Triennial Poster, 2021
Art, Access & Agency conference poster, 2021
Art, Access & Agency conference in Pretoria
Flyer: Alvaro Barrington: Spider the Pig, Pig the Spider, Alvaro Barrington, 2021
Poster for Utopias and Efforts, Francisco Rodríguez, 2018
MAC / Museo de Arte Contemporáne, Chile
You are variations, version 08 - Theater Na Orlí, Brno, Christina Della Giustina, 2018
Poster for event, 21 October 2018, Brno, Czech Republic
Poster for Emily at Sao Roque, 2018
Arte Util (Useful Art) image, 2018
Feu Follet - The Crypt, St. John’s, Waterloo flyer, Liz Rideal, 2018
Dana Ariel poster, 2018
MadeAtUCL Podcast, Deborah Padfield, 2021
(De)figured - Royal Society of Sculptors, Nathaniel Rackowe and Angela Woodhouse
You're Mulchy Green, You're Verdant Matter - Slade School of Fine Art, Rhona Eve Clews and Lea Collet
In Hands, Sophie Bouvier Ausländer, 2019, fired clay, 2 x 6.5 cm
A Friend's Rendezvous - Dilston Gallery, 2019
The clay-veined girl holds trem-bling skin (me as a retort), Sof’ya Shpurova, 2019, oil on canvas
© Sof'ya Shpurova
Flap Clappers, Hayley Newman, 2019, watercolour on paper, 14.8 x 21 cm, detail
courtesy of the artist and Matt's Gallery, London
The clay-veined girl holds trem-bling skin (me as a retort), Sof’ya Shpurova, 2019, oil on canvas
Palais de Justice, Carey Young, 2017
Shah-Savar (a good rider)., Ali Kazim, pigment on wasli paper, 72cm x 108 cm
TEETH, Jennifer Martin, 2019