Slade School of Fine Art

UCL

13337-original-morison_WorkinProgress1.jpg

Time Well Spent

,

Paula Morison

, 2019.

A performance during which the artist will sew on a 1:1 scale map of a flat for the length of time it would take to buy that space in London, if being paid London Living Wage.
Dimensions: Map: 13.07 x 4.91 m (36.5145 m2)
Duration: 21,874 hours

13339-original-morison_WorkinProgress2-p.jpg

Time Well Spent

,

Paula Morison

, 2019.

A performance during which the artist will sew on a 1:1 scale map of a flat for the length of time it would take to buy that space in London, if being paid London Living Wage.
Dimensions: Map: 13.07 x 4.91 m (36.5145 m2)
Duration: 21,874 hours

13341-original-morison_WorkinProgress3.jpg

Time Well Spent

,

Paula Morison

, 2019.

A performance during which the artist will sew on a 1:1 scale map of a flat for the length of time it would take to buy that space in London, if being paid London Living Wage.
Dimensions: Map: 13.07 x 4.91 m (36.5145 m2)
Duration: 21,874 hours

13343-original-morison_Wildfire.jpg

Wildfire (01.05.14 - 20.03.18)

,

Paula Morison

, 2018, a digitally-printed, 72-page newspaper containing four years' worth of collected news stories about wildfires. Dimensions: 38 x 28.9 x 0.5 cm.
13345-original-morison__I_Shall.jpg

I Shall Live for 100 Years

,

Paula Morison

, 1985-date, a 100-year performance documented through two websites which, respectively, count how long I have been alive and how long I have left to live until the date and time of my proposed death. Dimensions: Variable.

Photograph by Seb Camilleri

Paula Morison

website: www.paulamorison.com
instagram: @paulamorison

Artist's Statement

Paula Morison (b. Swindon, UK, 1985) is a conceptual artist working in a variety of media. Her practice is broadly focused on how we, as humans, try to order the world around us. She looks at the systems people create and the behaviours we exhibit that help us exert perceived control over our existence.

Measuring, recording, naming and categorising are all ways in which people try to create this order. We save things and preserve them for posterity. We archive things for the future. We believe in religions that promise us eternal life or reincarnation. We search for answers through stories and through science.

These concerns have led to her interest in quantitative rather than qualitative information. She is fascinated with data, numbers and dates, and time is very important to her. She is however also interested in the poetic and the whimsical, chance and coincidence, and she mixes these differing approaches together to various degrees in her work.