Slade School of Fine Art
2024 Degree Show
BA/BFA

Open the public from 17–23 May 2024

View the installation photos from the show.

  1. Artwork black canvas, white writing, and a drawing near the top of the canvas in the centre.
    Untitled, Walter Winterburn, 2023, Posca pen and chalk on canvas, 92 x 79 cm

    ©the artist

    Walter Winterburn

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  2. An A5 sized booklet of poetry with faint black and white 35mm photographs of water, aircrafts, roundabouts and grave markers.
    Preparing For Loss, Heir, March 2023, inkjet printed on Offenbach bible paper, 6gsm Kizuki Kozo, bound with hair. Dimensions: 21 cm x 14.8 cm x 0.3 cm

    ©the artist

    Lily Petch

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  3. Installation shot of artwork, cloves, terracotta earthenware clay under radiator in studio.
    Redolence, Coral Harding, 2023, cloves, terracotta earthenware clay, 163 x 54 x 2.5 cm

    ©the artist

    Coral Harding

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  4. Row of pink earthenware mugs hanging on hooks on wooden rail.
    Behind the Wall, Kate Harrison, 2024, timber, steel hooks, slab built earthenware ceramics, brush on rose pink glaze. 240 x 7 x 2.5 cm

    ©the artist

    Kate Harrison

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  5. Painting of foetus enclosed within a landscape against a night sky.
    The Word Made Flesh, Anna-Maria Cadell, 2024, oil on canvas

    ©the artist

    Anna-Maria Cadell

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  6. Installation of artwork on floor comprising timber, walnut stain, picture frame hardware, fencepost bracket, flange, hinges, pipe clamps, scratched floor.
    Radar, Georgia Brady-Tompt, 2024, timber, walnut stain, picture frame hardware, fencepost bracket, flange, hinges, pipe clamps, scratched floor

    ©the artist

    Georgia Brady-Tompt

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  7. The image shows a painting of five concentric hearts in blue and yellow over a red background.
    for J.J., Gianluca Massa, 2024, oil on canvas, 22 x 20 inches

    ©the artist

    Gianluca Massa

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  8. Abstract painting of dotted map elements.
    Map of A Semi-Private Park, Guanyi Chen, 2024, oil on canvas, 122 x 81 x 1.7 cm

    ©the artist

    Guanyi Chen

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  9. Sculpture.
    Tail Of Tales, Scarlett Rose Pochet, 2024, latex, metal rods, waxen ribbons, 350 x 60 x 60 cm

    ©the artist

    Scarlett Rose Pochet

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  10. Body of a rocking horse packed in a wooden structure and translucent plastic. The plastic is torn open partially revealing the body of the rocking horse.
    Untitled, Ed Burrell, 2024, heirloom rocking horse body, time capsule, packing plastic, pallet wood

    ©the artist

    Ed Burrell

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  11. Abstract black and white drawing.
    Mercurius, Marika Tyler-Clark, 2024, charcoal on paper, 5 x 4 ft

    ©the artist

    Marika Tyler-Clark

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  12. Ceramic hand-sculpted bust of a woman with short grey hair with pink streaks wearing a bright purple wild swimming towelling dry robe. She has a single brow raised and an open mouth as if speaking.
    Dryrobe Warrior (Rhian), Abi Haywood, 2023, ceramic, steel, fabric, 170 x 60 x 70 cm

    ©the artist

    Abi Haywood

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  13. Diptych: flight deck on one side with butterfly, space shuttle the other, some parts obscured by black paint.
    mourning, Isidore Bishop-Sauve, cigarette tin collage burnt driftwood, ink, butterfly wing, 15 x 21 cm

    ©the artist

    Isidore Bishop-Sauve

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  14. Abstract painting, layered linen, canvas and burlap, and safety pins.
    indossare, worn, Maia Albarosa, 2024, safety pins, oil and acrylic paint on linen, canvas and burlap, ​​41 x 20 cm​

    ©the artist

    Maia Albarosa

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  15. Helmeting: A director called a bunch of performers to f*ck the work on public transportation, cook and gamble their frequencies to solve a case , Zhuyang Liu, 4 channeled video 4K , installations, sound.
    Helmeting: A director called a bunch of performers to f*ck the work on public transportation, cook and gamble their frequencies to solve a case, Zhuyang Liu, 2024, 4 channelled video 4K , installations, modified synth stereo sound, CCTV

    ©the artist

    Zhuyang Liu

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  16. Those who fight
    Those who fight, Betty Ogún

    ©the artist

    Betty Ogún

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  17. Triptych of screenshots. Migration is one of the most important issues in contemporary society. I try to use my identity as an artist to mine the collective memory for my creations. I hope to fully portray migration as a concept in conjunction with the new age of digital nomads. And start from the narrative perspective of history, purpose, path, and ending. Create integrated installations incorporating multiple media.
    The Great Migration, Jiemin Ren, 2024, integrated media installation, video, dimensions variable: 1440 x 2560 (2k)

    ©the artist

    Jiemin Ren

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  18. Two objects, side by side on a wall.
    After, Before, Marla-Sunshine Kellard-Jones, 2024, found object, plywood, 20.5 cm x 47.5 cm x 12 cm

    ©the artist

    Marla-Sunshine Kellard-Jones

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  19. A warm orange red and yellow screen printed knotweed plant. Collaged and cutout of paper in a tangled knot like form against a crisp white background.
    Knot a weed series, Grace White, March 2024, screen printed paper cutout, 1 m x 60 cm

    ©the artist

    Grace White

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  20. It is a life sized green flat body shape sculpture in a yoga downward dog pose on a pink yoga mat. It is stabilised by two rounded base on the hands and feet, with hand weights balanced on its hands and ankle weights on its ankle.
    Yoga Class: Downward Dog, Jane Wu, 2024, Jesmonite, Crystacal R Plaster, brusho powder, quadraxial fabric, hand weight, ankle weight and yoga mat, ​​135 x 73 x 23 cm​

    ©the artist

    Jane Wu

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  21. Installation of drawn rectangles of paper on wall and down to the floor.
    ' ', Onosiokhue Yakubu, 2023, 2024

    ©the artist

    Onosiokhue Yakubu

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  22. Small aluminium cast of Slade building.
    Slade, Gabriele Ciulli, 2024, cast aluminum

    ©the artist

    Gabriele Ciulli

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  23. Landscape painting of a waterfall with a branch in the foreground.
    Mystic Reverie, Kamyar Baghestani, 2024, digital painting made with custom brushes, 30 x 21 cm

    ©the artist

    Kamyar Baghestani

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  24. An pencil drawing of a girl looking into the distance as she holds her little sister close, resting her chin on her sister's shoulder
    Bridge, Martha Burgin, 2024, graphite pencil on paper, 210 x 297 mm

    ©the artist

    Martha Burgin

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  25. A collection of 24 glass, metal, and ceramic decorative bells, suspended on a beam of wood using gold chain, from lowest to highest. The lowest note has the longest chain and the chains get increasingly shorter. The notes of some of the bells have been written on a small piece of paper and attached to each bell.
    24 Silent Notes Across 3 Octaves, Joe Shone Hatchwell, 2023, glass, metal, and ceramic bells, wood, chain, paper

    ©the artist

    Joe Shone Hatchwell

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  26. I mainly focus on memories, family, romance and identity. I avoid straightforward explanations, instead prioritizing emotional and sensory precision.
    Woe honor, Shuangyi Li, 2023, oil on linen, 106 x 81 cm

    ©the artist

    Shuangyi Li

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  27. Postcard orientation, landscape of hills and red bunting.
    A sending Triangle, Isabella Sartori, 2024, watercolour collage, 4" x 6" inkjet print

    ©the artist

    Isabella Sartori

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  28. As I created different shapes of silicone with varying heights for the handrails, I wanted to observe the audience's response to the contrasting materials and heights. Due to the height difference between the handrails, it was interesting to watch the audience's posture as they reached for them. Also, with the various shapes and locations of the handrails, it was intriguing to see how people grasped them using different hand poses. Some individuals refrained from touching the handrail because it was perceived as artwork, while others simply wanted to interact with it. Thus, I was in a position to experiment with the audience. The irony in this work lies in the fact that, despite its focus on tactile experience and encouragement of touch, people found it challenging to grip the handrails due to the silicone. I introduced this obstacle to observe people's reactions to a unique object placed on a domestic and familiar item. The inspiration for the large vertical sculpture came from bus handrails. When we need to grasp a handrail in transportation or other situations where handrails are present, we often hesitate to touch or avoid grabbing handrails that are already being used by someone else, even if there is ample space to do so. The reason I named the work '73' is because it references the bus route from Kings Cross to Oxford Street, which I frequently take to go to college or spend time with friends. Therefore, as the longest handrail had more space than the smaller ones, people were more likely to grab and interact with it.
    73, Minsuh Song | 송민서, 2024, silicone, metal and makeup product

    ©the artist

    Minsuh Song | 송민서

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  29. Graffiti like marks carved in warm grey over a black and red striped canvas with a baby pink brushed glossy area, smudged grey in the middle left with a purple line jabbing into the bottom left area.
    Eurostar 2024, Marsi Rex, 2024, oil on canvas, 76 x 66 cm

    ©the artist

    Marsi Rex

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  30. Painting of two separated scenes where a figure traverses from the left to the right while holding another figure.
    A Bit of Everything, LEMO (Chengcheng Li), 2024, oil on canvas, 150 x 210 cm

    ©the artist

    LEMO (Chengcheng Li)

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  31. Netting and false hair
    Column (close up image), Bee Nicholls, 2024, textiles

    ©the artist

    Bee Nicholls

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  32. Layers of black fabric cover different sculptural forms. Burnt coconuts surround them, and a “headboard” made from burnt wood boards stands by its side. At the back, a dried tree branch stands tall.
    Dona Flor, Delicious Putrefaction, Júlia Couto, 2024, fabric, steel, wood, tree branches, stone, coconuts, limes and plastic beads, variable dimensions, approx. 2 x 2 m

    ©the artist

    Júlia Couto

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  33. Abstract painting.
    I remember them with my stomach, Meghan Salisbury, 2024, oil on canvas. 2 x 1.35 m

    ©the artist

    Meghan Salisbury

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  34. Conical steel bowl, with a handful of pistachio nuts in it.
    Bowl, Luca Vincentelli, 2024, steel, 70 x 70 cm

    ©the artist

    Luca Vincentelli

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  35. Installation shot of Aether.Exe.
    Aether.Exe, Henry Galano, 2023, 500 litres of water, tarpaulin, timber, black acrylic, 9.5 x 300 x 480 cm

    ©the artist

    Henry Galano

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  36. Colourful abstract painting
    a tint of deconstruction,  Bluebell Selley

    ©the artist

    Bluebell Selley

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  37. Film still of open metal teal-coloured box on carpeted floor.
    Location (film still), Jem Crook, 2023, film 45:30

    ©the artist

    Jem Crook

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  38. Abstract drawing.
    Untitled 2, Yingjie Deng, 2024, pencil and pastel on wood, 10 x 15 cm

    ©the artist

    Yingjie Deng

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  39. A large standing frame with grid and linen painting within.
    Untitled, Marianna Soukeras, 2024, steel, linen, rust , oil, 200 x 110 cm

    ©the artist

    Marianna Soukeras

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  40. A black framed photo print on a white wall. It contains a badly Photoshopped image of Ryan Gosling vaguely helping a chef (an Asian person with in a chef’s jacket and hat, grinning at the camera) tend to the open flames from the pan on their left. There are more framed prints that have been cut off, revealing the chef also with Paul Mescal and Jacob Elordi.
    Wall of Fame (detail), Annie Lee, 2024 - ongoing, Framed photographs of various restaurant visitors with the chef, including white males Ryan Gosling, Jacob Elordi, and Paul Mescal. Part of a wider restaurant installation/experience. Dimensions infinite.

    ©the artist

    Annie Lee

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  41. Film still of a black and white shadowy figure holding a candlestick.
    I'm Afraid That's All We've Got Time For, Lara Baksu, 2023, film 32 mins

    ©the artist

    Lara Baksu

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