Slade School of Fine Art
2024 Degree Show
MA/MFA

MA/MFA Degree Show 8–16 June 2024

Free, tickets via Eventbrite. (Please note entry arrangements)

  1. Bump!
    Bump!, Xinyu Han 韩新宇, 2024, oil on linen, 120 x 150 cm

    ©the artist

    Xinyu Han  韩新宇

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  2. A person massaging another person on the back, with hair dangling down from above.
    Massage, Jessie Yang Gao, 2023, graphite on paper, 40 x 80 cm

    ©the artist

    Jessie Yang Gao

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  3. Installation photos, one close up of clay object, the other a wider installation shot.
    Fever/ Practice Love series, Bangyu Fan 范 邦宇, 2024, made-object, installation, clay, painting

    ©the artist

    Bangyu Fan 范 邦宇

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  4. Sneak in, wood, leather shoes, wood dye.
    Sneak in, Wei Xiong, 2023, wood, leather shoes, wood dye, 26 cm x 34 cm x 9 cm

    ©the artist

    Wei Xiong

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  5. A still from a digital moving image performance. Two performers are sitting on the floor. The one on the left is crouching and holding the eyes of the performer on the right who is on their hands and knees as if crawling.
    Untitled, Roman Sheppard Dawson, 2024, digital moving image

    ©the artist

    Roman Sheppard Dawson

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  6. A grey floor with colourful materials on it.
    Something remains, Cat Madden, 2024, mixed media installation: soft pastel, thread, tape, tinfoil. Dimensions variable.

    ©the artist

    Cat Madden

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  7. White sculpted foam flowers on a shoe rack.
    Fire Lilies, Natasha Solange Burton, 2024, foam clay and found metal shoe rack, 35 cm x 91 cm x 24 cm

    ©the artist

    Natasha Solange Burton

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  8. A tall steel and aluminium a/v sculpture with cast bronze parts, 2 speakers and a CRT monitor.
    Desire Lines, Danny Pagarani, 2023, mixed media, 2000 x 3000 x 2000

    ©the artist

    Danny Pagarani

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  9. Photo, blurred of woman walking past 3 red artworks.
    Jams, Hyeejin Bae, 2024, silkscreened strawberry jam on paper, 34.3 x 24 cm (each)

    ©the artist

    Hyeejin Bae

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  10. This piece is 85 x 60 x 15 cm. It is a metal hand rail attached to the wall with three pink ribbons holding up a blue transparent acrylic sheet which has lace laser etched onto the back of it.
    Held, Chloe Beddow, 2024, Lace etched onto blue transparent acrylic, pink satin ribbon, metal, 85 x 60 x 15 cm

    ©the artist

    Chloe Beddow

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  11. A frail wooden frame structure is leant against a wall. The frame is held together with various means including screws, string, plastic ties and plastic bands. The frame hosts various small objects, including plastic items, a broken key ring chain and part of a soft toy.
    Props, Michael Bradshaw, 2024, found and personal items and materials, and sourced repurposed wood 60 x 150 x 30 cm

    ©the artist

    Michael Bradshaw

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  12. Screen shot of man from video game lying down with loading wheel with "New Albion is loading ... Something is wrong. We are working to fix it. Please be patient."
    New Albion is loading..., Freddie Sanders, 2024, still/screenshot from video game

    ©the artist

    Freddie Sanders

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  13. A brown knit sock hangs limply from a giant knitting machine needle.
    Failure 2, Steph Linn, 2024, knit sock (undyed shetland wool), forged steel knitting machine needle, 100 cm x 25 cm x 1 cm

    ©the artist

    Steph Linn

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  14. Abstract lines and shapes form goldfish swimming accross the picture plain, a blurry male face, a pair of feet and a cat are among the objects hinted at, all obscurred by drips and scratchy marks.
    Goldfish, Marium M Habib, 2024, pencil, ink, gouache, watercolour, chalk pastel and charcoal on paper, 382 x 140 cm

    ©the artist

    Marium M Habib

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  15. Silkscreen on aluminium of cat sitting on a car.
    Cat/Car, I. MILLS, 2024, silkscreen on aluminium, 18 x 13 cm

    ©the artist

    I. MILLS

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  16. Film still of torso of a person wearing a tunic and loose trousers, a row of flower pots including one which has the words "trendsetter" and one with "I will survive" written on them.
    Perfect diaries, Qibing Yang 杨麒冰, 2024, video

    ©the artist

    Qibing Yang 杨麒冰

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  17. In this charcoal drawing a greyhound chases after a rabbit fleeing for its life. The mouth of the dog is opened, its nose drawn blurred into the rabbits tail, as they are so close to the moment of capture.
    Dog After Rabbit, Daya Belzer, 2023, charcoal on paper

    ©the artist

    Daya Belzer

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  18. Three small platforms in brown, yellow and green, with objects on placed on the top, piece of tarmac, green wire and stack of pink paper, photographed in a tennis court.
    KIT, Signe Eliza Pook, 2024, mixed media assemblage, 165 x 30 cm approx.

    ©the artist

    Signe Eliza Pook

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  19. Film still of a dream catcher.
    Night Breezes, Liangqi Yao, 2024, film still

    ©the artist

    Liangqi Yao

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  20. On a long, landscape-oriented wooden panel, a mythical creature sits in an open field. The creature has a central furry body with the head of a young woman extending on each side, each with their own pair of arms. In the lower right corner, a drawer can be pulled in and out, which is clutched by the painted hands of the creature.
    Asking my mother for my baby teeth, Ruth Speer, 2024, oil on built wooden panel with drawer, 61 x 32 x 5 cm

    ©the artist

    Ruth Speer

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  21. Reflective rectangular object on tiled floor in room.
    Untitled 2, Raquel Yago Boj, 2024, archival digital pigment print mounted and framed, dimensions 62 cm x 52 cm

    ©the artist

    Raquel Yago Boj

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  22. Medium sized painting which is mostly yellow with some pink space of a figure stretching and looking at the viewer.
    Positions, Ross Head, 2024, oil on canvas, 121 x 145 cm

    ©the artist

    Ross Head

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  23. Multi-screens, wooden furniture, video installation
    Tomato Egg Noodles, Xiya Wang, 2023, multi-screens, wooden furniture, video installation

    ©the artist

    Xiya Wang

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  24. Portrait of a head looking over its left shoulder, light background.
    An Inclination, Lexia Hachtmann, 2024, monotype on Fabriano paper, 38 cm x 35.5 cm

    ©the artist

    Lexia Hachtmann

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  25. Coffee table height table-like form, upholstered in denim, with leather tassels nailed all of the way around the edge and draping on to the floor, standing on a white fur and shaggy denim skirt-like rug.
    Bronco, Bella Bradford, 2024, denim, wood, leather, nails, fur, upholstery fabric, foam, d: 90 x 140 x 100 cm​

    ©the artist

    Bella Bradford

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  26. Large snake shedding a skin of sequin fabric, tongue made of exercise band nailed to work with feathery grass.
    Skin Shed, Rex Townrow, 2024, dirty salvaged gold sequin fabric, old man's print rags, lover's exercise band, neon green 8mm rod, plaster, neon green Stipa grass, fixings miscellaneous, dimensions 2240 x 800 x 650 mm approx

    ©the artist

    Rex Townrow

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  27. Henry vacuum with the word Howard replacing original branding.
    Howard, A. Howard, 2023, vacuum, 300 x 350 x 320 mm

    ©the artist

    A. Howard

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  28. Freestanding tiny laser-cut pigeon, paper boat, and cardboard wave. light cast shadows for each object, overlapping to be a picture of pigeon crossing the sea on a boat.
    Waves Across, Ziyi Wang 王几, March 2024, laser cut metal, paper, cardboard, torch, print, dimensions variable

    ©the artist

    Ziyi Wang 王几

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  29. Abstract paper sculpture shown partially unfolded and resting between the wall and floor. Dark earthy pastel colour movement above transitioning into lighter areas below.
    Alone with you (IV), Lavinia Harrington, 2024, pastel sculpture, folded handmade paper, 135.5 x 94 cm (unfolded)

    ©the artist

    Lavinia Harrington

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  30. A row of three lightboxes with illuminated circular shapes containing strange otherworldly forms.
    Moon Studies, Shona Waldron, 2023, lightboxes, 30 cm x 30 cm each

    ©the artist

    Shona Waldron

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  31. Floor-based sculptural installation. On the floor are two sculptures whose main feature are warm yellow plastic sandbags with a woven texture. These sandbags are installed in multiple layers and folds. The sculpture on the left has a long plank of pine wood going through the sandbags, other materials and objects emerge out of the layers of sandbags, such as geologic-looking bronze forms, sulphur crystals, pine needles, beeswax casts of the walls of Sicilian sulphur mine, and black volcanic sand. On the sculpture on the right hand side, the folds and curls of the sandbags are stronger. Emerging and peeking out of these folds are more beeswax casts of the sulphur mine walls, rivers of black volcanic sand, carob pods, a found snail shell stuffed with sulphur crystals, an iron pick axe used to mine raw sulphur, and a bronze cast of a bread, that lies on one edge of sandbag, as if it were lifting up the layers of sandbags, like turning the page of a book.
    N'arubarru lu suli, lu suli - They steal from us the sun, the sun, Natalya Marconini Falconer, 2024, woven polypropylene sandbags, beeswax wall casts of Gessolungo sulphur mine, iron pick axe, bronze bread cast, bronze offcuts, pine, pine needles, sulphur crystals, volcanic sand, carob pods, found snail shell, silicone and turmeric snail shell. Dimensions variable.

    ©the artist

    Natalya Marconini Falconer

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  32. A drawing populated by work I had made and dreamed of making in my first year. Walking furniture, baleen buildings and pop-up book houses.
    A year’s population of frightened work, Jack Kinsman, 2023, ink on paper

    A drawing populated by work I had made and dreamed of making in my first year. Walking furniture, baleen buildings and pop-up book houses.

    ©the artist

    Jack Kinsman

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  33. Painting of a woman in bed leaning over to reach her glasses.
    Try to see clearly, Beatriz Santos, 2024, oil on board, 30 x 20 cm

    ©the artist

    Beatriz Santos

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  34. Eve Stotesbury, 2023

    ©the artist

    Eve Stotesbury

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  35. Stacks of grass made with pH indicators.
    The Dying Grass and Rain from Home, Wanci Xie, 2023, pH indicators, collected rainwater, floral foam, wire, thread

    ©the artist

    Wanci Xie

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  36. Abstract watercolour painting on paper depicting central lime green form with darker tones of green radiating out from and around form, merging with cerulean blue at top corners.
    Ether, Rose Shuckburgh, 2024, watercolour on paper, 115 x 165 cm

    ©the artist

    Rose Shuckburgh

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  37. A folded shape.
    Hold Me, Ya Luo, 2024, pastel on paper, 110 x 160 cm

    ©the artist

    Ya Luo

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  38. I made a hybrid creature based on a motorcycle’s frame that was covered by Jesmonite cast which has animal and part of vehicle shapes. And I used a methodology from clothing-making to make a fabric mould and each casted piece has a visible seam-line which looks like the creatures from part of clothing.
    Adjacent Mimicycle Nº1, Hansol Kim, 2023, Jesmonite, metal flakes, motorcycle part, car mat, threaded rod, bolts and nuts, leather, wire, kayak paddle, 57 x 157 x 54.9 cm

    ©the artist

    Hansol Kim

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  39. Black and white film still of a lizard
    Ladon, Carla Geronimi, 2021, video, 6 mins, 12 secs

    @the artist

    Carla Geronimi

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  40. Moon for bulb and candle
    Moon for bulb and candle, Man Mei To, 2023, light bulb, epoxy resin, stainless steel, ​​dimensions variable​

    ©the artist

    Man Mei To

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  41. This image has two white walls, the left wall reads:Welcome to my masterpiece/Nothingness, the right wall reads: The room is Full of ____. The left wall has two black curtains on either side.
    The Room Full Of _____.:The Art between Being and Not Being, Yihan Ma, 2024, multimedia

    ©the artist

    Yihan Ma

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  42. Installation photo of 2 x figures cut from sheet steel.
    Ship Mountain - You are just peeking, Bowen Zhang, 2024, mild steel sheet, plywood 2 x 1 x 0.5 m, 1.5 x1.2 x 0.5 m

    ©the artist

    Bowen Zhang

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  43. Blue video still of foetus and the words "I think she and I are one".
    The Survival Swimming, Jiyoon Hong l 홍지윤, 2024, video still

    ©the artist

    Jiyoon Hong l 홍지윤

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  44. Abstract acrylic and oil painting on Hessian of a flower. The painting features curved and expressive marks made out of pink, red and yellow paint taking up the whole canvas. The background has transparent elements and hues of brown and black.
    She Bled, To Death and Transition, Eilen Itzel Mena, 2024, acrylic and oil on hessian, 120 cm x 170 cm

    Inspired by my memories of funeral floral arrangements, I employ the use of the flower motif to portray the liminal space my mother's body was in within the last 3 hours of her life. Layers of acrylic and oil paint on hessian express the complex and transitional space between life and death, the body and the spirit as well as faith and hopelessness. Vibrant hues ironically signal to the viewer that joy and faith sit amongst pain and despair, that light and rebirth sits amongst darkness and death.

    ©the artist

    Eilen Itzel Mena

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  45. Images of "TO LET" sign printed on canvases, glitter stickers of "I" put in between "TO" and "LET"
    TOILET Sign, Yeye, 2023, canvas

    ©the artist

    Yeye (Jianye Qiu)

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  46. A mosaic of the character Toad of Toad Hall on top of cardboard on the left hand side and butcher shop tiles on the right hand side. The cardboard is engraved with the image of a car, but it isn't very clear. The work is in a aluminium v-slot frame.
    Infinite Customisation I, Joe Moss, 2023, aluminium v- slot profile, cardboard, tiles, mosaic, 57 x 75 cm

    ©the artist

    Joe Moss

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  47. Feathered biomorphic object on floor (London park and garden bird feathers), and shearling tucked into the gap between the wall and floor where a skirting board should be.
    Nestling (install image), Madeleine Bender, 2023, plaster casts, found feathers, shearling offcuts

    ©the artist

    Madeleine Bender

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  48. Voyage
    Voyage, Shiyue Li, 2024, mixed media, size variable

    ©the artist

    Shiyue Li

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  49. This is a picture of an amusement park in the background, with the fireworks and smoke in front of it so that only part of the structure of the amusement park can be recognised. The overall colour palette is red and the smoke and fireworks are yellow. There is a lot of sparkle in the image, as if it were the afterglow of a setting sun. In this work, the viewer can feel the silence that remains after the hustle and bustle, the grey flying away, and everything seems to have never existed.
    The garden, Xi Liu, 2024, oil on canvas

    ©the artist

    Xi Liu

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